Making three Van Gogh videos.
Updated: Sep 11, 2024
The concept struck me: creating three videos detailing my journey of recreating a van Gogh masterpiece using Rebelle 7 software.
I find myself at an impasse, grappling with the continuation of my real-life rendition of "Wheat Field with Cypress Trees" in my oil art room. Despite my eagerness to proceed, I hesitate each time, yearning for the final result to exceed all expectations.
Here's an overview of the three videos:
Video One: Selection and Layout Process
Introduction to the chosen painting.
Deliberation on its placement.
Screen capture of Rebelle 7 layout.
Explanation of canvas sizing.
Extraction of colors from the reference image into swatches.
Expanding color options beyond Rebelle 7's default palette.
Insights into toning the canvas, contrasting with van Gogh's unconventional approach.
Demonstration of tracing the reference image in Rebelle 7, debunking the notion of cheating.
Video Two: Brushes and Technique
Utilization of Rebelle 7's recorder to document the painting process.
Discussion of painting techniques and brush selection.
Comparison between blending and Impasto, emulating van Gogh's style.
Application of the palette knife in Rebelle 7.
Exploration of complementary colors.
Adaptations to the original design.
Methodical approach from background to foreground.
Emphasis on revisiting the painting the next day for final touches.
Signing the painting under one's own name, rather than van Gogh's.
Video Three: Printing, Varnishing, Framing
Explanation of the printing process, preparing the file for professional printing.
Selection of suitable canvas for printing.
Importance of maintaining 300 dpi resolution for print quality.
Application of thick varnish for added texture and realism.
Considerations for framing, including matting, frame color, and sizing.
Showcase of the finished work adorning the wall.
These videos encapsulate the meticulous journey of recreating a masterpiece, from digital canvas to tangible artwork.
The most renowned van Gogh painting there is to gaze upon:

Vincent van Gogh, 1888